Dragon Rock and the Rest

One of the reasons I keep returning to Baikal is that you have plenty of photographically creative options even if you avoid local icons and typical views. Two years ago, I was so amazed with the frozen lake that I forgot about everything I pre-visualised having seen images of the iconic spots on internet. Now, with heavily increased tourist traffic, it became actually impossible to be alone in such place at the best time of a day. That is why I did not make a single image of Ogoy island or Shamanka viewpoint despite of 3 trips to Baikal.

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Lake Baikal Photo Gallery

I like to sit on images for some time after I come from trips, absorb them and work on them at a rather slow pace. I do so as I learnt over years that I need some emotional distance if I want to process more 'objectively', without panting of impressions from places. This time, it took even longer to finalise imagery from my two travels to Baikal. I think it is because I got disappointed on my second trip earlier this year, for a lot of snow on ice that destroyed all my plans...

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The Kit Is Complete

It did not come easy, but I left film behind lately and switched to digital. Despite of what I wrote about the comparison of the two before. Or perhaps because of it - the CMOS Phase One chip of my IQ150 has somehow become more vibrant and of a character than extremely neutralised CCD of previous models.

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Photographic Process: I'm Only Happy When It Moves

Breidamerkursandur is the black sand beach near Jokulsarlon glacier lagoon. I'm brave to say it's one of the most incredible places to photograph that is furthermore easily accessible. It is the contrast between the volcanic black sand and crystal-clear to turquoise colors of icebergs that makes it feel otherworldly and extraordinary. In this post, you will find the detailed description of my photographic process - from content considerations all the way to the post-processing workflow.

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