I like to sit on images for some time after I come from trips, absorb them and work on them at a rather slow pace. I do so as I learnt over years that I need some emotional distance if I want to process more 'objectively', without panting of impressions from places. This time, it took even longer to finalise imagery from my two travels to Baikal. I think it is because I got disappointed on my second trip earlier this year, for a lot of snow on ice that destroyed all my plans...
I’m back from (South) Korea for a few days now, but postcards always arrive with delays. The business that feeds me brought me to Seoul and I could not miss the opportunity to see Korean nature and experience a bit of its culture. It has been a very short trip – 5 days of wandering through the country without any plan. Although usually I like to take a hippie approach and instantly react to opportunities, not having a plan proved to be a problem this time when it came to photographing. Together with the weather – even when I got to a nice place, there were no clouds, no colors and the blue skies only.
I purchased my first large format camera Ebony RSW 45 in 2011, and I have been using it with more or less success for my landscape photography since then. I even traveled with this camera to Iceland, to discover that it is not so difficult to use this cumbersome equipment in rather challenging weather conditions. I regularly take it with me to the mountains and also around the lake here in Geneva. At the end it is not so heavy, so I can carry it everywhere I want. However, to set up camera properly can be sometimes quite challenging. Especially when it is windy or cold, but it is getting easier with practice.
Col des Aravis is very nice and easily accessible area close to the mountain town La Clusaz in France (my favorite skiing resort). It is known for its countless outdoor possibilities from hiking to ski touring. To me it provides also interesting but in the same time challenging opportunity to pursue my photography. It is relatively small area with two dominate mountains on both side of the pass. When you arrive from La Clusaz, there is L’Etale on your right hand side. In my opinion, one of the most beautiful mountains in the chain of Aravis.
As a hobby photographer I cannot choose to go out when the conditions are perfect. I have to squeeze my photo adventures to couple of weekends a year. When I am not outside making pictures I do think about what kind pf photographs I would like to make next time, and I usually set high expectations for the next trip. But as I cannot choose the perfect moment I am heavily relaying on given weather conditions on one specific weekend.
Have you ever been frustrated and disappointed on your vacation? This is how I felt for a few days when we arrived to Olkhon this Saturday. The structures of the frozen lake are now covered by snow and there has been very little clouds until now. The warm and windless weather (around zero degrees at noon) transformed a wild and rough beast into a calm and gentle princess, ideal destination for traveling parents with their toddlers.
Not long ago, I have come across a striking and a thought provoking meditation by Guy Tal on why we photograph. I have been following and admiring Guy's work and story for many years. I mention the story on purpose as it chiefly exceeds his photography.
It is the whole process of creating photographs and not so much the photographs themselves that blows me away. As if anything in one's existence that is different from ordinary and that goes beyond bare necessities of life, it has a beneficial effect on all vital functions and human senses.
I have not been participating to many photo competitions last year, But when i saw invitation from Bergger (which is French manufacturer of black and white negatives and high quality photo papers) to submit photographs for their new baryta papers packaging, i decided to take my chance. I prepared three photos and send them just before the deadline expired without any hopes and expectations.
Fist public presentation of this latest project of mine is done, and after all I am very pleased with the feedback I received over the long weekend in Gex in October last year. As I do not have regular exhibitions it is always very special event for me. The closer itI become to opening ceremony, the doubtful I was. The voice in my head was constantly asking the unpleasant questions “how people will react to it?”, “will they understand?”, “will they find it interesting?” etc. These questions were permanently on my mind, as it is impossible to hide behind computer screen and internet anonymity during the exhibition. I have to face and talk to real people who give me immediate verdict about my work.
This place is so different from all I have experienced so far that it deserves every kind of engagement and one is actually unable to avoid it unless he / she lives there. I just feel I owe Baikal more than what I have done last year. Hence, I'm going there on March 11 for a week.
In case of interest, I would be very happy if any of you joined me. Seriously - I can help with the logistics and everything else. Just write me an email right now.
Even though I am still sitting on plenty of unprocessed scans and raw files, you can now see a pretty much comprehensive collection of photographs that I made during my four trips to Scotland over the past few years.
The gallery might look somewhat "over-Eigged" I agree. But I must say that the Isle of Eigg was one of the greatest photographic experiences I have ever been through. One tiny beach, one beautiful island on the horizon, one week of returning to the same place of mickle moods and designs.
This very morning, I left Prague at 4am to go to Jested aiming to again weigh my Linhof camera in my hand after what was almost six months. Martin Rak made me a pleasant company so here we were, driving a steep little road that leads right on top of the hill. Extremely comfortable photography from a parking lot with 360 degrees views. I have never been there before hence I wondered and hoped for some good conditions. The weather is promising, actually amazing - we saw autumn leaves still on trees here and there, and rather warm colors in valleys while noticed snow on top of mountains. We pass fogged foothills and it is freezing healthy.
I am very excited to announce that my photo project Small World has been selected by jury of Confrontations-photo as one of the 11 portfolios to be presented during the upcoming photo festival. All of you who are close to Gex or Geneva you can reserve weekend Sep 30 to Oct 2 in your calendar and come to visit and support this unique photo event. Marek and I were already participating to this event four years ago, and it was really nice experience so I hope this year will be at least the same or even better☺
I got few weeks ago call from Marek, and he told me quite shocking news. It has been a year since my last blog post. I felt really ashamed and I decided to change it and become again active on our blog.
It did not come easy, but I left film behind lately and switched to digital. Despite of what I wrote about the comparison of the two before. Or perhaps because of it - the CMOS Phase One chip of my IQ150 has somehow become more vibrant and of a character than extremely neutralised CCD of previous models.
By the Lake Baikal, by its immensity and liveliness; its subtletness and tranquility. You get it all - monumental vistas with shorelines, islands and rocks, and tiny little details sculpted in the ice under your feet. Loud cracks of the ice plates and absolute silence, occasionally broken by blasts of the freezy wind forcing tears in to your eyes.
With haste, I decided to refresh my winter photography stock. This time round I went East. To explore the beauties of Russian landscapes. Five and a half hour flight from Moscow to Irkutsk and about 50 minutes drive and here I stand, on the shore of Lake Baikal.
I remain amazed by what today's chip can see and capture in the night skies. This opens up a whole new discipline where no more complicated multi-shot blending is apparently necessary to create a night landscape image with an interesting impact.