Scotland Gallery Updated

I added 18 images to my Scotland gallery today. And I deleted two that I do not like anymore.

Even though I am still sitting on plenty of unprocessed scans and raw files, you can now see a pretty much comprehensive collection of photographs that I made during my four trips to Scotland over the past few years.

The gallery might look somewhat "over-Eigged" I agree. But I must say that the Isle of Eigg was one of the greatest photographic experiences I have ever been through. One tiny beach, one beautiful island on the horizon, one week of returning to the same place of mickle moods and designs.

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Long Exposures with Phase One IQ250 (Part III)

I would definitely use a better weather when shooting Phase One IQ250. I only had couple of days on Isle of Harris with this chubby baby. Not enough. The very most of time spent either drying it or admiring its design. Or, testing the wi-fi connected to my iPad and Capture Pilot app. This is by the way a lovely feature.

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Isle of Eigg - The Perfect Hideaway

We are now about 10 miles off the Scottish west coast, on Isle of Eigg. Wikipedia says it's 9 km long and 5 km wide (which makes its total area of 31 square kilometers). Locals say there are about 100 people permanently living here. That means we have seen the most of them in the small harbour pub when we arrived. Bruce Percy is saying it is one of the most photogenic islands in Britain. We have not seen many of them but we both absultely trust Bruce and our own eyes.

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Norway Photo Gallery

I just added new images to our Norway photo gallery. It is always interesting to look back to your photographic journal to see a progress (?) or downfall (?) in your image making development path. This time, I feel attracted again by the place I initially went to to shoot northern light, with some hopes for something else interesting should we end up at a right place. From all I have been shooting so far, Lofoten differ by being quite populous yet able to keep not only signs but rather whole features of wilderness at the same time. Returning back to my transparencies and digital files nowadays, after two years, I can see an interesting shift in the way I value final photographs from the place. I can now see and appreciate much more the intimate moods and colors in my work that I brought from there than anytime before.

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Beach Graphics

I have been silent to this blog in the recent weeks. Too hot in my roof workroom, too much football (the most of it quite crapy though), too much happening in my non-photographic life that proved to be no less important than images. But now, it's time to catch up fast. It's raining in Prague now. Pleasing more than 20 degrees difference from how it was in Bratislava today - 41 Celsius when I sat into the car this afternoon. I went through some storm drama on the highway that somehow associated my thoughts with two things. One is the concert of Soley, one of endless musical talents from Iceland, whose concert in Prague was cancelled earlier this month (sadly) and I'm still left with the ticket (I will survive till the next one hopefully). So I'm playing her now while the soft rain kisses the terrace of my house on the background. It always amazes me how deep the music of many Icelandic artists I get to discover over time (and trust me, it's so many of them) connects with their landscape and its mood. Try this one while looking at photographs below, for instance. And be patient for a minute (or rewind :-)).

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