I like to sit on images for some time after I come from trips, absorb them and work on them at a rather slow pace. I do so as I learnt over years that I need some emotional distance if I want to process more 'objectively', without panting of impressions from places. This time, it took even longer to finalise imagery from my two travels to Baikal. I think it is because I got disappointed on my second trip earlier this year, for a lot of snow on ice that destroyed all my plans...
Read moreBaikal Reflections
I'm blown away.
By the Lake Baikal, by its immensity and liveliness; its subtletness and tranquility. You get it all - monumental vistas with shorelines, islands and rocks, and tiny little details sculpted in the ice under your feet. Loud cracks of the ice plates and absolute silence, occasionally broken by blasts of the freezy wind forcing tears in to your eyes.
Read morePostcard from Lake Baikal
With haste, I decided to refresh my winter photography stock. This time round I went East. To explore the beauties of Russian landscapes. Five and a half hour flight from Moscow to Irkutsk and about 50 minutes drive and here I stand, on the shore of Lake Baikal.
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Ice Cave Patterns
We usually shoot our Earth in its various forms and fashions from the ground. Those happier of us get up in the air and photograph from there. But there's an incredible beauty below its surface, too. In Slovakia, we're lucky to have as many as 2,400 caves (wikipedia) of which about 400 have been explored. One tenth of them is open for public. I rather believe that these are the most picturesque and fascinating. Because five are included in UNESCO World Heritage. :-)
Read morePhoto of the Week - May 29, 2011
This is one of the few photographs I took on Iceland, during my second trip in summer 2010, where luck played bigger role than precise preparation. There is very special thing about long exposures, you never know what the result will look like until you really see the final photograph. In this case the exposure time was 140 seconds and the ice formation was facing the incoming tide very bravely without being moved too much, so even on the big print both pieces of ice are still reasonably sharp.
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