Fist public presentation of this latest project of mine is done, and after all I am very pleased with the feedback I received over the long weekend in Gex in October last year. As I do not have regular exhibitions it is always very special event for me. The closer itI become to opening ceremony, the doubtful I was. The voice in my head was constantly asking the unpleasant questions “how people will react to it?”, “will they understand?”, “will they find it interesting?” etc. These questions were permanently on my mind, as it is impossible to hide behind computer screen and internet anonymity during the exhibition. I have to face and talk to real people who give me immediate verdict about my work.
This place is so different from all I have experienced so far that it deserves every kind of engagement and one is actually unable to avoid it unless he / she lives there. I just feel I owe Baikal more than what I have done last year. Hence, I'm going there on March 11 for a week.
In case of interest, I would be very happy if any of you joined me. Seriously - I can help with the logistics and everything else. Just write me an email right now.
Even though I am still sitting on plenty of unprocessed scans and raw files, you can now see a pretty much comprehensive collection of photographs that I made during my four trips to Scotland over the past few years.
The gallery might look somewhat "over-Eigged" I agree. But I must say that the Isle of Eigg was one of the greatest photographic experiences I have ever been through. One tiny beach, one beautiful island on the horizon, one week of returning to the same place of mickle moods and designs.
This very morning, I left Prague at 4am to go to Jested aiming to again weigh my Linhof camera in my hand after what was almost six months. Martin Rak made me a pleasant company so here we were, driving a steep little road that leads right on top of the hill. Extremely comfortable photography from a parking lot with 360 degrees views. I have never been there before hence I wondered and hoped for some good conditions. The weather is promising, actually amazing - we saw autumn leaves still on trees here and there, and rather warm colors in valleys while noticed snow on top of mountains. We pass fogged foothills and it is freezing healthy.
I am very excited to announce that my photo project Small World has been selected by jury of Confrontations-photo as one of the 11 portfolios to be presented during the upcoming photo festival. All of you who are close to Gex or Geneva you can reserve weekend Sep 30 to Oct 2 in your calendar and come to visit and support this unique photo event. Marek and I were already participating to this event four years ago, and it was really nice experience so I hope this year will be at least the same or even better☺
I got few weeks ago call from Marek, and he told me quite shocking news. It has been a year since my last blog post. I felt really ashamed and I decided to change it and become again active on our blog.
It did not come easy, but I left film behind lately and switched to digital. Despite of what I wrote about the comparison of the two before. Or perhaps because of it - the CMOS Phase One chip of my IQ150 has somehow become more vibrant and of a character than extremely neutralised CCD of previous models.
By the Lake Baikal, by its immensity and liveliness; its subtletness and tranquility. You get it all - monumental vistas with shorelines, islands and rocks, and tiny little details sculpted in the ice under your feet. Loud cracks of the ice plates and absolute silence, occasionally broken by blasts of the freezy wind forcing tears in to your eyes.
With haste, I decided to refresh my winter photography stock. This time round I went East. To explore the beauties of Russian landscapes. Five and a half hour flight from Moscow to Irkutsk and about 50 minutes drive and here I stand, on the shore of Lake Baikal.
I remain amazed by what today's chip can see and capture in the night skies. This opens up a whole new discipline where no more complicated multi-shot blending is apparently necessary to create a night landscape image with an interesting impact.
To my surprise, the season seems to be still on. Plenty of tourists and each of them must use two cars or more. But that's the only flaw, otherwise I'm having fun. As much as one can have with only himself, getting to seriously think about stuff that there's normally no time for and talk about things that should have never left his mouth.
First off, we would like to thank you all so much for the interest in our exhibition. Also, the turnout for the opening could hardly be any larger, we're so grateful! It will take few more days only so those who missed it for any reason, please don't be scared to visit Cafe Velryba and check it out. Here's what you get to see in colour, but it's always more impressive live than virtually:
I'm writing this on-board of Aeroflot flight to Sochi. Apart from many other curiosities (a huge and almost empty Airbus A-330 for two-hour domestic flight from Moscow), I was just asked to fill out the questionnaire about alcoholic beverages I like the most. Truly starting to love this country and the airline that is so determined to hear their clients and act upon it.
We are extremely pleased to announce that today, our exhibition of colour and black and white photographs from Scotland begins. It takes place in Cafe Velryba, Opatovicka 24, Prague 1 until September 30.
You all are invited to come and see 39 images, of which 20 are hand made by Ota via his traditional darkroom process and the remaining 19 are not so much hand made, but beautifully printed by my Epson with love.
I have been using a lot of different photo backpacks over the years, and I have been carrying them to many different places from mountains to deserts and sea costs. Therefore I would say that I might have some experience in this field, but I have never felt like sharing my thoughts with our readers. However, I would like to make an exception now, and tell you about the latest addition to my backpack family. I was not particularly thinking about getting myself a new backpack, since my old one is still okay, until Marek told me about new f-stop system. It imediately sounded like a perfect solution for me my few days long photo expeditions here in the Alps, where I also have to cary some other stuff beside my camera gear.
If you would like to get yourself a fine art photograph and help to support people in Nepal in the same time, you can help artist from Art Upfront to rise funds by buying their fine art photographs. A lot of artist, including me, decided to be part of this big effort and donate entire profit from sale to charity. You can see all available photographs here.
We would like to let you know that Ota’s silver gelatin prints are now available for sale trough Artupfront online gallery curated by two very know persons in the wold of fine art photography Hilde Bodbij and Frans Peter Verheyen.
I’m able to do all my fine art printing work at home with (almost) no compromise. I will show you today how simple it is to achieve consistently predictable results with tools and software you are probably utilising anyway.